Chorus

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Artwork by Katherine Frazer
Mixed with Varoujan Chetirian
Mastered by Kassian Troyer at Dubplates and Mastering
Released by OOO Audio, On Land collective and Pias France.


Nelson Beer’s debut album Chorus, recorded at Brasseries Atlas in Brussels, explores the dialectics between acoustics and linguistics; an infatuation with the gap between language and utterance, the lack as evidence of, a spill. A chorus invokes repetition; unanimous collectivity; expression + territory, a logic of multiplicities. Tracks on the album reveal themselves through plurality, embodied by the individual experience. Most of the record’s lyrics evoke the abstract construct of social relations; their downfall, uprise, serendipity and convenience, if not transactional value after all. The rest is sunken in silence: Churches, Pipes, Field-Recordings, Acousmatics, Post-Rock, FM Synthesis, Ambient, Audio Sensory Meridian Response, Art-pop, Sample, Song, Chorus, Trip Hop, LFO Noise, Strings Stroke, Cars, Mechanics appear slow, fast, close, and far away.